Antjie in Berlin

Antjie in Berlin takes the audience on an aural journey based on a number of letters written by Antjie Krog while on a residency in Berlin and included in her recent book Begging to be Black. ⇒

Hi, I’m Rudiger Meyer, a composer interested in the play between traditional concert music and new media. This site, my home on the web, is part documentation, part platform, and part experimental playground. It is also a place for writing – from notes & tweets to more extensive articles.

note

Over the past year I’ve been working on a sound-theatre/podcast piece based on a text by Lene Henningsen with Oskar Kokoschka and Alma Mahler as the leading characters. After having made a studio recording of all of the dialogue, we realised how much of an impact having the actors standing stationary and confined to a small space had on the character of the dialogue. (There are some similar observations in this Aeon article on Orson Welles’ War of the Worlds.) The next step was to re-record some of the scenes out in the world, and the wonderful Hirschsprung Collection kindly allowed us to use some of their spaces.

Jens Essendrop was also along to take some photographs: Here are Mette Frank Sørensen and Ulver Skuli Abildgaard, with myself recording and Lene Henningsen looking on.

Web Things

Branches of concert pieces created for the web:

rilke
half-life
divided

First experiments in creating versions of concert pieces specially for the web. I’ve collected some of my thoughts on this in a few blog posts.