2009/ 10
half-life (variable duration: c. 5'30'' - c. 28 min)
for violin, contrabass and soundtrack
commissioned by Duo Slaatto Reinecke with support from
and the Danish Composers' Society
2009
Andria
Soundscape for the DKF Metroplex Soundscape Project initiated by Carl Emil Carlsen and Jakob Goetz. Composed with support from the Danish Composers' Society
Lydfabet (15 min)
Concrete poetry/ Sound collage in collaboration with Vagn Steen
A live 'set' as a basis for improvisation (assembled for/with Ableton Live software)
Composed with support from
and the Danish Composers' Society
Lydfabet
2008
tpk darlings (6 min 40)
for piano, saxophone (soprano, tenor) and violoncello
première 01.11.2008, Winterthur, Switzerland
Composed with support from
and the Danish Composers' Society
tpk darlings
Lydfabet
Concrete poetry/ Sound collage in collaboration with Vagn Steen
A live 'set' as a basis for improvisation (assembled for/with Ableton Live software)
Composed with support from
Lydfabet: v.a.g.n._s.t.e.e.n.
d.i.g.t
Lisbon Stream ( 20 min)
Sound collage/ audio fragments collected and assembled for Klaus Ib Jørgensen's Moonpain website
2007
Fuglens Flugt (c. 8 min)
for solo violin and soundtrack
première 18.11.07 Helge Slaatto, Sofiesbad, Copenhagen
Composed for the Sofiesbad concert series at the request of Eva Noer Kondrup
Fuglens Flugt - premiere performance
Six Marches and a Funeral (c. 10 min)
for ensemble and speaker
(cl., sax., trombone, guit., perc., keyboard, piano, vln., vla., vlc., cb.)
première 20.10.07, Georgia
composed at the request of the Close Encounters festival
Six Marches and a Funeral
Sink In:
installation in collaboration with Rosa Isaldur
Lutzhøfts Købmandsgård/Roskilde Museum, August 2007
Lydfabet (in progress)
preview of letters A, B,C, D E, F & G
Sound Days, 08.06.07, Copenhagen
Begun with the support of a work grant from the Danish Composers' Society
2005
YPP!PPY (4 min.33 )
for flute, harp, viola and electronic soundtrack
ypp!ppy
2004
Snor i kreationen (c.13 min.)
'live electronic music for a choreography by Rosa Isaldur
Festivalen (c.7 min.)
for `cello and bugarabu.
commissioned by Duo Percucello (Niels Meliefste and Annie Tangberg)with financial support from the Fonds voor de Scheppende Toonkunst, Amsterdam.
2003
GEMstones (45 min.)
Composition of music and organisation of three on site performances created with choreographer Rosa Isaldur around exhibitions in the Photomuseum/Museum for Contemporary Art, Den Haag. Part of a performance series (including a platform for young copmposers/improvisers) created for the museum .
Marytation#48 a mongrelitorio (13 min.)
for voice, video and instruments (with Rosa Isaldur)
commissioned by the Barton Workshop/ performed in Paradiso Amsterdam and Theater Kikker Utrecht
Marytation#48
2002
Seven Spaces (where the two streams meet) (60 min. loop)
outdoor sound installation commissioned by the Upstream festival (Hoorn/Amsterdam)
Group/Areas (where the two streams meet) (60 min.)
version of Seven Spaces comissioned by NPS Radio and broadcast on Radio 4 Supplement, The Netherlands 08.09.02
seven spaces radio mix (group/areas) 83Mb
Popular Memories (9 min.)
(for ensemble Insomnio, CD & Video)
commissioned by Ensemble Insomnio and the Newmusic SA (for the Grahamstown Festival 2002) with financial support from the Fonds voor de Scheppende Toonkunst, Amsterdam
Newsmusic (14 min.)
(for the Zephyr string quartet)
commissioned and performed by the Zephyr Quartet
première 12.05.02, Vondelkerk, Amsterdam
newsmusic (complete) 21Mb
Iona (12min.)
electronic music and video
with/for choreography by Rosa Isaldur
performed 22.03.02, European Dance Development Centre, Arnhem
2001
cash registrations 2 min. 30sec.
five pieces for solo piano commisioned by Emil Honneger for pianist Tamriko Kordzaia
Performances in the Netherlands, Switzerland and Slovenia
à mMbira (for (amplified) marimba duo) 35 min.
première 02.12.2001 by Niels Meliefse and Claire Edwardes
Posthornkerk Amsterdam
à mMbira (38 min. /52 Mb)
there & back 9 min. (“live” visuals/ short film made to the music of Two Hockets (see below))
performances:
28.09.01 Winterthur, Switzerland
08.12.01 Den Haag, Netherlands
10.12.02 Ljubljana, Slovenia
shi so P ka so 15’ (clarinet, trombone, midi contra-bass recorder, electronics)
with choreography by Lucia Glass
performed 20.03.01 Arnhem
shi so P ka so
2000
A Walk with Bongi through Alex.
(soundscape/acoustic documentary on CD) 60 min.
installations/ performances:
28.09.01 Winterthur, Switzerland
08.12.01 Den Haag, Netherlands
10.12.02 Ljubljana - Slovenia
kara p 2.003 (ensemble LOOS [bass cl./sax.,e-guit.,e-bass guit.,piano,percussion] and CD) 13 min.
commissioned by Newmusic SA (for the Grahamstown Festival 2000)
première 03.07.2000 Grahamstown South Africa
kara-p 2. 00 3 (complete)
carapace 23.7 (flute solo [piccolo,flute, alto flute] & CD) 13 min.
commissioned by Anne la Berge
carapace 23.7 (complete)
twenty three carapi (for mixed choir) 12 min.
comissioned by Koor Nieuwe Muziek A’dam
première Korzo theater Den Haag 20.03.2000
twenty three carapi
curve-ing hil ((midi)piano, sine-tones, trombone) 15’
with choreography by Sammi Dellicour
première 12.01.00 European Dance Development Centre, Arnhem
1999
divided west and (equally) for grand and midi piano 9 min.
commissioned by pianist Felix Profos
divided west and (equally)
1998
divided we stand (for the Nieuw Ensemble) 7 min.
composed for the Nieuw Ensemble Composer’s Workshop
Performed as part of the Gaudeamus Muziekweek 1998
divided we stand
Well Mr Kafka, I’m sitting.
(two clarinets, marimba/vibraphone,`cello) 15min.
première 16.05.98, Kees van Baren Zaal, Den Haag
Well Mr. Kafka, I'm sitting.
1997
sub-stance (trombone, contrabass and percussion) 22 min.
Jury selection Gaudeamus Muziekweek 1997
première 04.09.1997 by the Barton Workshop
Gorrel/Man and Machine (Max-MSP and electronics) 14min.
performed in Bremen 02.1997, Gent, Belgium 05.2002
Gorrel (excerpt)
1996
Two Hockets
for two alto recorders and percussion) 6 min.
commisioned by Carin van Heerden Mandy Low and
published by Moeseler
numerous performances in The Netherlands (Amsterdam, Den Haag), South Africa, France, Germany, Austria
False Hypotheses
for alto recorder 23 min.
False Hypotheses (22 min. /30 Mb)
half-life (variable duration: c. 5'30'' - c. 28 min)
for violin, contrabass and soundtrack
commissioned by Duo Slaatto Reinecke with support from
and the Danish Composers' Society
2009
Andria
Soundscape for the DKF Metroplex Soundscape Project initiated by Carl Emil Carlsen and Jakob Goetz. Composed with support from the Danish Composers' Society
Lydfabet (15 min)
Concrete poetry/ Sound collage in collaboration with Vagn Steen
A live 'set' as a basis for improvisation (assembled for/with Ableton Live software)
Composed with support from
and the Danish Composers' Society
Lydfabet
2008
tpk darlings (6 min 40)
for piano, saxophone (soprano, tenor) and violoncello
première 01.11.2008, Winterthur, Switzerland
Composed with support from
and the Danish Composers' Society
tpk darlings
Lydfabet
Concrete poetry/ Sound collage in collaboration with Vagn Steen
A live 'set' as a basis for improvisation (assembled for/with Ableton Live software)
Composed with support from
Lydfabet: v.a.g.n._s.t.e.e.n.
d.i.g.t
Lisbon Stream ( 20 min)
Sound collage/ audio fragments collected and assembled for Klaus Ib Jørgensen's Moonpain website
2007
Fuglens Flugt (c. 8 min)
for solo violin and soundtrack
première 18.11.07 Helge Slaatto, Sofiesbad, Copenhagen
Composed for the Sofiesbad concert series at the request of Eva Noer Kondrup
Fuglens Flugt - premiere performance
Six Marches and a Funeral (c. 10 min)
for ensemble and speaker
(cl., sax., trombone, guit., perc., keyboard, piano, vln., vla., vlc., cb.)
première 20.10.07, Georgia
composed at the request of the Close Encounters festival
Six Marches and a Funeral
Sink In:
installation in collaboration with Rosa Isaldur
Lutzhøfts Købmandsgård/Roskilde Museum, August 2007
Lydfabet (in progress)
preview of letters A, B,C, D E, F & G
Sound Days, 08.06.07, Copenhagen
Begun with the support of a work grant from the Danish Composers' Society
2005
YPP!PPY (4 min.33 )
for flute, harp, viola and electronic soundtrack
ypp!ppy
2004
Snor i kreationen (c.13 min.)
'live electronic music for a choreography by Rosa Isaldur
Festivalen (c.7 min.)
for `cello and bugarabu.
commissioned by Duo Percucello (Niels Meliefste and Annie Tangberg)with financial support from the Fonds voor de Scheppende Toonkunst, Amsterdam.
2003
GEMstones (45 min.)
Composition of music and organisation of three on site performances created with choreographer Rosa Isaldur around exhibitions in the Photomuseum/Museum for Contemporary Art, Den Haag. Part of a performance series (including a platform for young copmposers/improvisers) created for the museum .
Marytation#48 a mongrelitorio (13 min.)
for voice, video and instruments (with Rosa Isaldur)
commissioned by the Barton Workshop/ performed in Paradiso Amsterdam and Theater Kikker Utrecht
Marytation#48
2002
Seven Spaces (where the two streams meet) (60 min. loop)
outdoor sound installation commissioned by the Upstream festival (Hoorn/Amsterdam)
Group/Areas (where the two streams meet) (60 min.)
version of Seven Spaces comissioned by NPS Radio and broadcast on Radio 4 Supplement, The Netherlands 08.09.02
seven spaces radio mix (group/areas) 83Mb
Popular Memories (9 min.)
(for ensemble Insomnio, CD & Video)
commissioned by Ensemble Insomnio and the Newmusic SA (for the Grahamstown Festival 2002) with financial support from the Fonds voor de Scheppende Toonkunst, Amsterdam
Newsmusic (14 min.)
(for the Zephyr string quartet)
commissioned and performed by the Zephyr Quartet
première 12.05.02, Vondelkerk, Amsterdam
newsmusic (complete) 21Mb
Iona (12min.)
electronic music and video
with/for choreography by Rosa Isaldur
performed 22.03.02, European Dance Development Centre, Arnhem
2001
cash registrations 2 min. 30sec.
five pieces for solo piano commisioned by Emil Honneger for pianist Tamriko Kordzaia
Performances in the Netherlands, Switzerland and Slovenia
à mMbira (for (amplified) marimba duo) 35 min.
première 02.12.2001 by Niels Meliefse and Claire Edwardes
Posthornkerk Amsterdam
à mMbira (38 min. /52 Mb)
there & back 9 min. (“live” visuals/ short film made to the music of Two Hockets (see below))
performances:
28.09.01 Winterthur, Switzerland
08.12.01 Den Haag, Netherlands
10.12.02 Ljubljana, Slovenia
shi so P ka so 15’ (clarinet, trombone, midi contra-bass recorder, electronics)
with choreography by Lucia Glass
performed 20.03.01 Arnhem
shi so P ka so
2000
A Walk with Bongi through Alex.
(soundscape/acoustic documentary on CD) 60 min.
installations/ performances:
28.09.01 Winterthur, Switzerland
08.12.01 Den Haag, Netherlands
10.12.02 Ljubljana - Slovenia
kara p 2.003 (ensemble LOOS [bass cl./sax.,e-guit.,e-bass guit.,piano,percussion] and CD) 13 min.
commissioned by Newmusic SA (for the Grahamstown Festival 2000)
première 03.07.2000 Grahamstown South Africa
kara-p 2. 00 3 (complete)
carapace 23.7 (flute solo [piccolo,flute, alto flute] & CD) 13 min.
commissioned by Anne la Berge
carapace 23.7 (complete)
twenty three carapi (for mixed choir) 12 min.
comissioned by Koor Nieuwe Muziek A’dam
première Korzo theater Den Haag 20.03.2000
twenty three carapi
curve-ing hil ((midi)piano, sine-tones, trombone) 15’
with choreography by Sammi Dellicour
première 12.01.00 European Dance Development Centre, Arnhem
1999
divided west and (equally) for grand and midi piano 9 min.
commissioned by pianist Felix Profos
divided west and (equally)
1998
divided we stand (for the Nieuw Ensemble) 7 min.
composed for the Nieuw Ensemble Composer’s Workshop
Performed as part of the Gaudeamus Muziekweek 1998
divided we stand
Well Mr Kafka, I’m sitting.
(two clarinets, marimba/vibraphone,`cello) 15min.
première 16.05.98, Kees van Baren Zaal, Den Haag
Well Mr. Kafka, I'm sitting.
1997
sub-stance (trombone, contrabass and percussion) 22 min.
Jury selection Gaudeamus Muziekweek 1997
première 04.09.1997 by the Barton Workshop
Gorrel/Man and Machine (Max-MSP and electronics) 14min.
performed in Bremen 02.1997, Gent, Belgium 05.2002
Gorrel (excerpt)
1996
Two Hockets
for two alto recorders and percussion) 6 min.
commisioned by Carin van Heerden Mandy Low and
published by Moeseler
numerous performances in The Netherlands (Amsterdam, Den Haag), South Africa, France, Germany, Austria
False Hypotheses
for alto recorder 23 min.
False Hypotheses (22 min. /30 Mb)
[Lillian von Haußen,
Bremen 27.11.97]