
The recorded excerpt begins approximately halfway through the installation and just outside the door of the chapel before moving into and around the inner space of the building. In addition to the main loudspeakers placed in each corner of the room small loudspeakers were also placed on the floor – a small scale acousmonium (or in this case Sebastionium) specifically set up by Gary Berger for one of the pieces on the concert program that followed - but also used in the installation.

Blindwriting consists of 3 layers which gradually increase and decrease in intensity in independent cycles over 83 minutes of its duration. The changes in focus that result are further intensified by walking around the space (as was the case in the handheld recording) and moving closer or farther away from the loudspeakers. In addition to this one can also hear the controlled feedback tones of Nic Collins' Pea Soup installation which preceeded Blindwriting and was also blended in with it at certain points.

